That was the big revelation in this episode, but not the only one.
When Francine cries to Betty about finding out via telephone bill (weird telephone bills, a bunch of blue index cards in an envelope??), I knew she'd check Don's telephone bill (I guess wives didn't check the phone bills in 1960?). I thought she'd find Midge's number or maybe Rachel's but she finds the psychiatrist's number? I love how she proceeded to say things to him in the session that she knew Don would later hear.
Hey, Glen the creepy kid makes an appearance! Is anyone kinda weirded out by Betty wanting to bond with him and talk about her troubles? I expected him to ask her out or something, but his mom might have shown up and ruined it.
I don't get the scene with Pete and his wife and inlaws near the end. He walks in, they're waiting for him, and he drops his coat on the floor and goes to bed? Someone explain that to me. Are the inlaws so intent on having a grandkid that they come over to make sure Pete and their daughter are having sex every night and doing it correctly?
It's always fun to see what exactly each episode title means. I had no idea that the Kodak Carousel would not only be what the title refers to but would be the thing that would snap Don out of his secretive, affair-infested, brother-killed-himself haze and see what he had in his life with his family. Too bad they left for Thanksgiving without him.
If this show was on ABC, Ayn Rand books would be flying off the shelves.
A great end to a great first season. This is the best show on television. It's smart enough to have some cliffhangers in the season finale, but not outlandish ones (a murder, amnesia, an explosion, whatever) . These plots really have me wishing for the new season to start but aren't so wild and mysterious where I think they've gone too far. Too bad the next season doesn't start til next summer.