
Daniel is, in spite of his mathematical obsessions, a hopeless romantic who maintains crushes or goes after almost every woman in the novel. He tries to get the women’s attention in various ways, usually relating to their work situation. (In the case of Elizabeth, the realtor that he spies from his window one afternoon, he invents a long-winded and complex tale about needing a new apartment, just to spend time with her.) His success varies through the novel, though, like all good comedies, he finds happiness at the end. He has a crush on his therapist, Clarissa, whose self-imposed distance from him makes him more attracted to and interested in her. He has a crush on Zandy, the girl behind the prescription counter at the all-holy Rite-Aid. Through the novel, his quirks vary depending on the situation—sometimes he can pass as a “normal” person; other times he can’t help but appear odd to others (even those, like Clarissa, who know him very well). At one point in the novel, perhaps in a nod to French novelist Georges Perec, he stops using the letter “E” in his speech. This goes very well, except for the fact that he cannot say his name.
With nothing else going on in his life at the moment, Daniel finds himself entering into an essay contest sponsored by Tepperton’s Frozen Apple Pies. Asked to explain “why I am the most average American,” he quickly comes up with an essay so full of sap that it isn’t surprising that he winds up making it to the finals. As a reason to hang around Zandy while at the Rite-Aid one day, he takes out another entry form and writes another essay, without even thinking about what he is doing.
There are, really, two parts to Daniel Pecan Cambridge, and these are exemplified in his two essays. He is able to see both sides to a point, even if he radically disagrees with one or doesn’t really
understand what’s going on.
By the end of the book, Daniel slowly loses some of his obsessive-compulsive habits—though he still does keep making magic squares, trying to balance out his universe. While he may adjust to society by the end of the book, he still remains his own man—he does not lose his colorful identity like so many others. And there is hope for him in the end—like in every great comedy.